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The pervasive "butterfly stereotype" depicted in Giacomo Puccini's opera “Madame Butterfly”—which presents Asian women as fragile and compliant—has significantly shaped Western cultural perceptions of Eastern femininity. This stereotype's impact is profound, influencing not only artistic expressions but also broader social and cultural interactions between the East and West. David Henry Hwang’s play “M. Butterfly” challenges this entrenched image through a critical reevaluation, making this topic crucial for understanding the dynamics of gender and cultural representation in media. This study employs a qualitative approach, utilizing textual analysis and Derrida's deconstruction methodology to evaluate the butterfly imagery in both “Madame Butterfly” and “M. Butterfly”. The study is structured in two phases: the first phase identifies and challenges the binary oppositions (e.g., East/West, male/female) present in these texts, while the second phase destabilizes these binaries, contributing to a deeper understanding of the representation of Asian women in Western media. The major findings suggest that Hwang's “M. Butterfly” not only critiques but also subverts the submissive female archetype depicted in “Madame Butterfly”. Hwang’s adaptation introduces complexity to the stereotype by portraying its male protagonist in traditionally feminine roles, thereby challenging the viewer’s perceptions and expectations. This deconstruction reveals deeper societal norms and power structures that govern gender and cultural identity, suggesting that these identities are more fluid and constructed than traditionally portrayed. Further research is proposed to explore the impact of these deconstructed stereotypes across different cultural contexts, examining other works that utilize similar stereotypes to understand their role in shaping cultural narratives and identity. Additionally, studying audience reception in various cultural settings could provide insights into how such stereotypes are perceived globally, offering a broader understanding of the interplay between media representation and cultural identity construction.
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(Othman & Bin, 2024)
Othman, G. J., & Bin, J. A. (2024). Deconstructing the Butterfly Image: A Cross-Cultural Exploration from Puccini to David Henry Hwang. International Journal of Academic Research in Business and Social Sciences, 14(8), 2336–2347.
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