Journal Screenshot

International Journal of Academic Research in Business and Social Sciences

Open Access Journal

ISSN: 2222-6990

Archetypal Characters In Wayang Kulit Kelantan

Fara Dayana Mohd Jufry, Mohd Kipli Abdul Rahman

http://dx.doi.org/10.6007/IJARBSS/v8-i5/4087

Open access

The study specifically looks into the design aspects of the Kelantan shadow play or locally known as Wayang Kulit Kelantan (WKK). WKK is a traditional shadow play which involves a puppeteer, who is also the story teller. WKK is backed by traditional music and is developed in Kelantan with influences from other shadow plays from the South East Asian region. Applying the archetypal theory introduced by Carl Gustav Jung, the designs of the puppets in WKK is refined and is focused on the main characters of the play, namely Seri Rama, Rawana and Siti Dewi. Seri Rama and Siti Dewi are the protagonists, while Rawana is the antagonist. A correlation between the designs and the characters in Hikayat Seri Rama was identified. Research was done with the qualitative method that leads to an ethnographic study with support from primary data obtained through interviews with puppeteers and puppet designers. The researcher was involved in all the WKK group activities, collecting and documenting unstructured primary data. Secondary data were collected from reading materials such as books, magazines and journal articles. The research found that the design carvings on the puppets in WKK were archetype characters. The designs of the puppets were carved in a way to meet the characterisation of the characters as portrayed in the ancient text of Hikayat Seri Rama.

Archetype. (2017). In Dictionary.com. Retrieved April 1, 2017 from Dictionary.com website http://www.dictionary.com/browse/archetype
Asmadi, A. (2011). Cerita Rakyat Pulau Raas dalam Konteks Psikoanalisis Carl G. Jung. Journal Universitas Airlangga, 24(2), 109-116.
Axton, W. (1964). Dombey and Son: From Streotype to Archetype. ELH, 31(3), 301-317.
Handono, A. (2009). Teori Carl Gustav Jung. Retrieved 1 Julai 2013, from http://psikologicenter.blogspot.com.
Izod, J. (2001). Archetypal Images: Symbols and the Cultural Unconscious. In Myth, Mind and The Screen: Understanding the Heroes of our Time (pp. 47-56). Retrieved from https://www.cambridge.org.
Johnston, A. J. (2004). The Call of the Archetype and the Challenge of Acadian History. French Colonial History, 5(1), 63-92.
Jufry, F. D. M. (2014). Wayang Kulit Melayu Tradisional Kelantan (Unpublished master’s thesis). Universiti Sains Malaysia, Georgetown, Malaysia.
Jusoh, C. M. (2010, June). Perbandingan Antara Dua Seni Rupa Seri Rama Wayang Kelantan. Pentas, 28-35.
Muniandy, R. (1995). Hikayat Seri Rama: Perbandingan Versi Melayu, Sanskrit dan Tamil. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Othman, M. D. (2011). Wayang Kulit Melayu Tradisional Kelantan: Suatu Perspektif. Shah Alam: Mahmanis Enterprise.
Rashid, M. S. B. A. (2009). Evolusi Bentuk dan Makna pada Ragam Hias dalam Seni Bina Tradisional Melayu. In Kertas kerja Persidangan Seni Kebangsaan,Universiti Malaysia Sabah, Kota Kinabalu. Retrieved from http:// perak.uitm.edu.my.
Saik, A. B. (1997). Perkembangan dan Struktur Persembahan Menora di Utara Semenanjung Malaysia (Unpublished master’s thesis). Universiti Sains Malaysia, Georgetown, Malaysia.
Sako, Y. (Director). (1992). Ramayana- The Legend of Prince Rama [Motion picture]. Japan.
Sweeney, A. (1972). The Ramayana and The Malay Shadow-Play. Kuala Lumpur: Penerbit Universiti Kebangsaan Malaysia.
Yousof, & G. S. (1994). Dictionary of Traditional South-East Asian Theatre. Kuala Lumpur: Oxford University Press.

In-Text Citation: (Jufry & Rahman, 2018)
To Cite this Article: Jufry, F. D. M., & Rahman, M. K. A. (2018). Archetypal Characters In Wayang Kulit Kelantan. International Journal of Academic Research in Business and Social Sciences, 8(5), 84–101.