ISSN: 2222-6990
Open access
The purpose of this study was to examine how the emergence of fine art logistics studies was primarily driven by the need for collaborative-innovative spaces to enhance the activities of the creative industry. Fine art logistics services are a relatively new branch of existing logistics resources in Malaysia. Third-party logistics providers’ fine art logistics services and niche market strategy are both lacking and poorly researched. Indeed, cooperation between creative students at local universities, third-party logistics services, and niche market strategy in Malaysia. An effective fine art logistics digital platform based on the other study’s successful model will improve and settle new innovative business trends, opening new opportunities for fine art graduate students in Malaysia’s creative industry.
Abisuga-Oyekunle, O. A., & Muchie, M. (2021). Handicraft small enterprises as an instrument for rural economic growth and poverty eradication. Problems and Perspectives in Management, 18(4), 25.
Azis, Y., Darun, M. R., Kartini, D., Bernik, M., & Harsanto, B. (2017). A model of managing innovation of SMEs in Indonesian creative industries. International Journal of Business and Society, 18(S2), 391-408.
Amoako, G. K., Obuobisa-Darko, T., & Marfo, S. O. (2021). Stakeholder role in tourism sustainability: the case of Kwame Nkrumah Mausoleum and centre for art and culture in Ghana. International Hospitality Review.
Bello, M. (2020). Collaborations for creative arts higher education delivery in Ghana: A case of the University of Cape Coast. In Higher Education and Policy for Creative Economies in Africa (pp. 28-43). Routledge.
Bessant, J., & Tidd, J. (2007). Innovation and entrepreneurship. John Wiley & Sons.
Depperu, D., Magnani, G., Crosato, L., & Liberati, C. (2021). Growth of Firms in a Fragmented Cultural Industry: Italian Commercial Art Galleries’ Competitive Strategies. Sustainability, 13(9), 5057.
Ditzig, K., & Lynch, R. (2020). Art On/Offshore: The Singapore Freeport and Narrative Economics that Frame the Southeast Asian Art Market. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4(2), 161-201.
Gheerawo, R., Flory, M., & Ivanova, N. (2020). Creative leadership: design meets neuroscience to transform leadership. Design Management Journal, 15(1), 102-117.
Grawe, S. J. (2009). Logistics innovation: a literature?based conceptual framework. The International Journal of Logistics Management.
Goffin, K., & Mitchell, R. (2016). Innovation management: effective strategy and implementation. Macmillan International Higher Education.
Schreiber, R., & Bota Moisin, M. (2021). Rebranding “Made in India” through Cultural Sustainability: Exploring and Expanding Indian Perspectives.
Houé, T. (2020). Art, Finance and Logistics: Creative Combination for Economic Development.
Logistics and Transport= Logistyka i Transport, (45), 5-18.
Jackson, I., & Tomlinson, P. R. (2009). The role of cooperation in a creative industry: The case of UK studio pottery. International Review of Applied Economics, 23(6), 691-708.
Kostopoulou, S. (2013). On the revitalised waterfront: Creative milieu for creative tourism.
Sustainability, 5(11), 4578-4593.
Houé, T. (2020). Art, Finance and Logistics: Creative Combination for Economic Development.
Logistics and Transport= Logistyka i Transport, (45), 5-18.
Lee, B., Fraser, I., & Fillis, I. (2018). Creative futures for new contemporary artists: Opportunities and barriers. International Journal of Arts Management, 20(2), 9-19.
Li, X., & Lin, B. (2021). The Development and Design of Artificial Intelligence in Cultural and Creative Products. Mathematical Problems in Engineering, 2021.
Madan, A., & Araz, K. E. (2013). Fine Art Logistics: How Innovation Creates Niche Market for Third-Party Logistics Service Providers.
Martin, J., Elg, M., & Gremyr, I. (2020). The Many Meanings of Quality: Towards a Definition in Support of Sustainable Operations. Total Quality Management & Business Excellence, 1-14.
Nobre, G. (2020). Creative Economy and Covid-19, Technology, Automation and the New Economy.Pobranez:http://www.researchgate.net/profile/Guilherme_Nobre/publication/340438912_Creative_Economy_and_Covid19_technology_automation_and_the_new_economy/links/5e8a71f4299bf130797ffc1e/Creative-Economy-and-Covid-19-technology-automation-and-the-new-economy. pdf (2020.08. 01).
Park, K. T. (2020). Logistics of Space, Material, and Time: Struggles and Strategies for Sustaining Art Practice. Teachers College, Columbia University.
Park, H. S., & Kim, H. C. (2020). Impact of Government Support on Performing Artists’ Job and Life Satisfaction: Findings from The National Survey in Korea. International Journal of Environmental Research and Public Health, 17(20), 7545.
Parkman, I. D., Holloway, S. S., & Sebastiao, H. (2012). Creative industries: Aligning entrepreneurial orientation and innovation capacity. Journal of research in marketing and entrepreneurship.
Sepe, M. (2009). Creative urban regeneration between innovation, identity and sustainability.
International Journal of Sustainable Development, 12(2-4), 144-159.
Ubaidillah, R., & Riyanto, S. (2020). The influence of supply chain management on the creative
economy performance of the culinary sub-sector during the COVID-19 pandemic. International Journal of Innovative Science and Research Technology, 5(6), 10-16.
Wang, M. (2018). Impacts of supply chain uncertainty and risk on the logistics performance. Asia Pacific Journal of Marketing and Logistics.
Weeks, S. (2020). A freeport comes to Luxembourg, or, why those wishing to hide assets purchase fine art. In Arts (Vol. 9, No. 3, p. 87). Multidisciplinary Digital Publishing Institute.
Wickham, M., Lehman, K., & Fillis, I. (2020). Defining the art product: a network perspective. Arts and the Market.
Walzer, D. (2020). Leadership in the creative industries: addressing an uncertain future. J. Music Entertain. Educ. Assoc, 20, 147-172.
In-Text Citation: (Legino et al., 2021)
To Cite this Article: Legino, R., Al-Maqtari, S., Hassan, J. A., & Abidin, S. Z. (2021). Logistic Role for Fine Art Sustainable Creative Industry. International Journal of Academic Research in Business and Social Sciences, 11(9), 515–521.
Copyright: © 2021 The Author(s)
Published by HRMARS (www.hrmars.com)
This article is published under the Creative Commons Attribution (CC BY 4.0) license. Anyone may reproduce, distribute, translate and create derivative works of this article (for both commercial and non-commercial purposes), subject to full attribution to the original publication and authors. The full terms of this license may be seen at: http://creativecommons.org/licences/by/4.0/legalcode