Journal Screenshot

International Journal of Academic Research in Business and Social Sciences

Open Access Journal

ISSN: 2222-6990

The Significance of Musical Narrativity in Performing Selected Choral Works by Jin Chengzhi

Liu Wenwei, Yap Jin Hin

http://dx.doi.org/10.6007/IJARBSS/v12-i12/15516

Open access

Musical narrativity had a significant influence on the variety and diversity of artistic forms in contexts of music performance research. However, understanding many aspects of musical narrativity in music performances requires a deeper understanding, especially related to expression features from the performer’s perspective. This article examines a number of aspects of musical narrativity that correlate with the style of performance in Jin Chengzhi's Choral compositions. There are three objectives in this article. The first is to investigate the characteristics of Jin Chengzhi's Choral compositions. The second is to review the musical narrativity literatures in the context of music performance. The third is to correlate musical narrativity in the context of artistic research of music performance. The methodology of this research is carried out based on a literature study. This article is part of ongoing research with the title “Musical Narrativity in Performing Selected Choral Works by Jin Chengzhi”. Through this article, it is hoped that the understanding of the aspects of musical narrativity in the choral music performance style can be clarified.

Almen, B. (2017). A theory of musical narrative. Indiana University Press.
Barthes, R., & Duisit, L. (1975). An Introduction to the Structural Analysis of Narrative. New Literary History, 6(2), 237–272. https://doi.org/10.2307/468419
Cone, E. T. (1974). The composer’s voice. University of California Press.
Djahwasi, H. R., & Saidon, Z. L. (2020). Artistic Research: Artistic as Research vs Artistic as Method. International Journal of Academic Research in Business and Social Sciences. 10(11), 292-309.
Gao, J. W. (2018). On the realistic body of Mussorgsky's art song composition. Northern music, 38(13): 13.
George, C. (1992). Rhythm of theatre. Beijing: China Theatre Publishing House.
Gong, H. D. (1987). Research on stage art. Beijing: China Drama Publishing House.
Herman, D. (2001). New Perspectives on Narrative Perspective. Style, 35(3), 560-565.
Han, S. M. (2020). Analysis and Study on the multiple artistic characteristics of. ‘Rainbow Chamber Chorus’ [Master’s Thesis, Yunnan Normal University].
He, D. Q. (2017). How the theatre director creates a second time. Journal of Theater Theory, (2), 2.
He, X. (2015). The nature of character imagery in opera art. Journal of Masterpiece Appreciation, (4), 2.
Huang, C. L. (2009). A study of body language in choral art [Master’s Thesis, Hebei University].
Keen, B. (2017). The Bach Choir: The First Hundred Years. Taylor and Francis.
Li, J. Y. (2007). Psychology of Performance. World Book Publishing Company.
Liang, B. L., & Li, Y. (2002). Fundamentals of Theatre Performance. Beijing: Culture and Arts Publishing House.
Liu, C. Y. (2001). Singing Art of Form Performance. Hainan University Journal of Humanities and Social Sciences, 12(9), 7.
Liu, W. (2007). Body language. China Times Economic Press.
Liu, W., & Xu, F. M. (2014). Visualizing choral measurement: A study of the American choral science literature. China Journal of Wuhan Conservatory of Music, (4), 38-44, 45.
Liu, Q. S. (2000). The Art of Music and Drama - Opera. Gansu: Dunhuang Art Publishing House.
Lu, Y. K. (2002). Theory of the Art of Opera. Beijing: Beijing Broadcasting Institute Press.
Ma, G. S. (2003). New Edition of Choral Studies. Shanghai: Shanghai Music Publishing House.
Mai, C. Y. (2011). On the innovation of choral performance forms. Journal of. Music Composition, (2), 2.
Myers, M. (2011). Now Everybody Sing: The voicing of dissensus in new choral performance. Performance Research, 16(3), 62-66.
Pozharskaya, D. (1956). The Stanislavsky System and Stage Art Creation. Beijing: Central Academy of Drama. Pu, Z. Z. (2015). Singing happily in the tribe - A study of the songs composed by the Alishan Damaya Chorus [Master’s thesis, National Chung Cheng University].
Phelan, J., & Rabinowitz, P. J. (Eds.). (2008). A companion to narrative theory.
John Wiley & Sons. Ren, X. L. (2010). A Study of Chinese Choral Creative Thinking in the 20th Century. [Doctoral Dissertation, Central Conservatory of Music].
Shi, X. S. (2002). Theory of Aesthetic Culture of Chinese Drama. Beijing: Beijing Broadcasting Institute Press.
Sun, C. Y. (2000). Handbook of the Art of Choral Singing. Shanghai: Shanghai Conservatory of Music Press. Tan, Y. R. (2016). The Return of Spiritual Rhyme. Journal of Music Creation, (11), 3.
Tian, C. Y. (2014). Vocal singing theory and stage performance practice. China Book Publishing House.
Tian, S. Y. (2014). On the Development of Chinese Choral Music. Theory Front magazine.
Tian, X. B. (2009). Development and Reflections on Chinese Choral Art. Chongqing: Southwest Normal University Press.
Tian, X. B. (2013). Diversified development of Chinese contemporary chorus art. Shanghai: Shanghai Music Publishing House.
Tian, X. B., & Wen, S. L. (2008). The Art of Choral Singing. Chongqing: Southwest Normal University Press.
Valentin, K. (1983). Introduction to Directing. Shaanxi: Shaanxi People's Publishing House.
Valentin, K. (1984). Fundamentals of Directing. Beijing: China Theatre Press.
Wang, C. J. (2015). Research on the Art of Choral Conducting. Beijing: Xinhua Publishing.
Wang, H. Q. (2008). Watching the Chorus in the Concert Hall. Journal of People’s Music, (12), 3. Wang, R. N., & Wu, M. H. (2007). An Analysis of Mussorgsky's Creative Concept. Journal of People's Music, (7), 3.
Wang, X. Q. (2009). A Study of Richard Strauss's Symphonic Poetry: Context-Text Music Narrative. Shanghai: Shanghai Conservatory of Music.
Wang, X. Q. (2013). The Art of Speech: An Introduction to Musical Narrative Theory. Beijing: People's Speech and Music Publishing House. 231-232.
Wang. Y. Y. (2018). A study of the musical narrative technique of Berlioz's Harold in Italy. [Master’s Thesis, Qufu Normal University].
Yang, L. (2019). A study on Rainbow Chamber Singers [Master’s Thesis, Jiangxi Normal University].
Yang, Y. H. (2003). The Art of Music Performance and Application of Principles. Hefei: Anhui Literature and Art Publishing House.
Ye, W. H. (2010). The Multiple Meanings of Second Creation: Reflections on the Practice of Music Performance. Journal of Zhejiang Arts Vocational College, 8(2), 40-44.
Ye, W. J., & Wei, J. M. (2016). When Conductors Become "Netflix". Journal of Modern Youth, (9), 3.
Yu, X. H. (2013). An analysis of the current state of research on the Russian composer Mussorgsky. Shanghai Music Time and Space magazine, (9X), 2.
Zhang, X. (2016). The reconstruction of music practitioners' subjectivity by new media. Journal of People's Music, (1), 3.
Zhang, Z. N. (2010). Theatre Directing. Beijing: China Theatre Publishing House.
Zhou, H. H. (2004). The composition of the aesthetic quality of national music and the structure and level of the national music education system. Journal of the Central Conservatory of Music, (4), 10.
Zhou, H., & Zhang, L. (2017). A communication analysis of the phenomenon of Shanghai Rainbow Chamber Choir's song going viral. Journalism Research Guide, 8(22), 276-277.
Zhou, Y. C., & Gao, F. R. (2011). A collection of outstanding Chinese choral music. Chongqing: Southwest Normal University Press.
Zhou, Z. S. (2005). A few thoughts on the development of Chinese choral music. Journal of People's Music, (7), 40-41.
Zhu, X. (2018). Interpreting the use of sound in international and domestic. "mainstream" choral competitions based on chamber choir training. Journal of China Music, (5), 4.

In-Text Citation: (Wenwei & Hin, 2022)
To Cite this Article: Wenwei, L., & Hin, Y. J. (2022). The Significance of Musical Narrativity in Performing Selected Choral Works by Jin Chengzhi. International Journal of Academic Research in Business and Social Sciences, 12(12), 1124 – 1131.