Journal Screenshot

International Journal of Academic Research in Business and Social Sciences

Open Access Journal

ISSN: 2222-6990

Open access

Teochew opera is a traditional cultural performance that has been practised since the early 19th century when the Chinese Teochew immigrated to Malaysia. It is often presented as a theatrical performance dedicated to the gods during folk festivals or as entertainment. Teochew opera is associated with the beliefs and entertainment desires of Chinese immigrants and usually accompanies the traditional festivals and cultural events of the Chinese community in Malaysia. When Malaysia advanced towards modernisation in politics, economy, culture and education, Malaysian Chinese culture also underwent a modern transformation. Teochew opera, one of the Chinese cultures, is reflected in the change of its function from the sacred to the profane. This thesis analyses the performance of Teochew opera in the sacred and profane context of the Chinese community in Malaysia to illustrate the trends and challenges facing it under the influence of modernisation.

Attisani, A. (1999). Tibetan Secular Theatre: The Sacred and the Profane. PAJ: A Journal of Performance and Art, 21(3), 1-12.
Chee-Beng, T. (1997). Chinese identities in Malaysia. Asian Journal of Social Science, 25(2), 103-116.
China Daily. (2014). Culture insider—China's ghost festival. http://www.chinadaily.com.cn/culture/2014-08/08/content_18268375.htm
Cheu, H. T. (2021). Chinese beliefs and practices in Southeast Asia. Partridge Publishing Singapore.
Eliade, M. (1987). The encyclopedia of religion (Vol. 16, pp. 277-8). C. J. Adams (Ed.). New York: Macmillan.
Essortment. (2008, October 20). Hungry Ghost Festival. Wayback Machine. https://web.archive.org/web/20090223182908/http://www.essortment.com/all/hungryghostfes_opi.htm
Gaster, T. H. (1961). Thespis: ritual, myth, and drama in the ancient Near East.
Grimes, R. L. (1995). Beginnings in ritual studies. University of South Carolina Press.
Giddens, A., & Pierson, C. (1998). Conversations with Anthony Giddens: Making sense of modernity. Stanford University Press.
Kelly, J. D., & Kaplan, M. (1990). History, structure, and ritual. Annual review of anthropology, 119-150.
Lee, S. F. (2018). Cultural representation of music and performing arts in Johor old temple's parade of deity in Malaysia. [Doctoral dissertation, Universiti Putra Malaysia]. University Putra Malaysia Institutional Repository.
Riley, J., & Jo, R. (1997). Chinese theatre and the actor in performance (Vol. 3). Cambridge University Press.
Schechner, R. (1995). The Future of Ritual: Writing on Culture and Performance. New York Routledge.
Schechner, R. (1976). From ritual to theatre and back. Ritual, Play, and Performance: Readings in the Social Sciences/Theatre, 196-222.
Tan, S. B. (1984). Ko-tai, A New Form of Chinese Urban Street Theatre in Malaysia (Vol. 40). Institute of Southeast Asian Studies.

In-Text Citation: (Ziqiao, 2023)
To Cite this Article: Ziqiao, L. (2023). From Sacred to Profane: Teochew Opera in the Malaysian Chinese Community. International Journal of Academic Research in Business and Social Sciences, 13(1), 167 – 177.