Journal Screenshot

International Journal of Academic Research in Business and Social Sciences

Open Access Journal

ISSN: 2222-6990

Post-Aristotelian Story Paradigm and its Influence on Malaysian Computer-Animated Television Series

Mohamad Razeef Shah, Ahmad Rafi, Vimala Perumal

http://dx.doi.org/10.6007/IJARBSS/v13-i1/16172

Open access

The storytelling model is an essential element in the story-building process and serves as a guide for constructing the story’s plot, order, conflict, and direction. There are numerous story structures available, and the storytelling model employed in the story-building process serves as the guiding principle for structuring the story. Aristotle’s three-act structure developed thousands of years ago, is regarded as the most fundamental and is still used today as a guide for structuring a story. This paper examines the influence of the post-Aristotelian story paradigm on the storytelling development of computer-animated television series produced in Malaysia between 2010 and 2019. In order to comprehend the storytelling development, the utilisation of the storytelling model and story arc approach were identified. Qualitative indirect observation and purposive sampling were employed to select local animated television series. Forty episodes of the local animated television series were subjected to empirical analysis, and ATLAS.ti 8 was used to analyse the data. The findings of this study suggest that the post-Aristotelian story paradigm significantly influences the development of storytelling and will serve as the foundation for proposing a storytelling model for computer-animated television series in Malaysia.

Ackerman, A. (2018). The Six Stages of Your Hero’s Character Arc. WRITERS HELPING WRITERS®. https://writershelpingwriters.net/2018/08/the-six-stages-of-your-heros-character-arc/
Adams, B., Dorai, C., Venkatesh, S., & Bui, H. H. (2003). Indexing Narrative Structure and Semantics In Motion Pictures with A Probabilistic Framework. Proceedings - IEEE International Conference on Multimedia and Expo, 2, II453–II456. https://doi.org/10.1109/ICME.2003.1221651
Akleman, E., Franchi, S., Kaleci, D., Mandell, L., Yamauchi, T., & Akleman, D. (2015). A Theoretical Framework to Represent Narrative Structures for Visual Storytelling. Proceedings of Bridges 2015: Mathematics, Music, Art, Architecture, Culture, January, 129–136. https://doi.org/10.13140/RG.2.1.3887.3440
Alfieri, L. (2022). Storytelling & Culture: East Meets West, Part 1. Blooloop. Retrieved April 5, 2022, from https://blooloop.com/theme-park/opinion/western-and-eastern-storytelling/
Amerian, M., Jofi, L., & Tefl, M. A. I. (2015). Key Concepts and Basic Notes on Narratology and Narrative Key Concepts and Basic Notes on Narratology and Narrative. Amerian and L. Jofi / Scientific Journal of Review, 4(10), 182–192.
https://doi.org/10.14196/sjr.v4i10.1927
Brutsch, M. (2015). The Three-Act Structure?: Myth or Magical Formula?? Journal of Screenwriting Volume, 6(3), 301–326. https://doi.org/10.1386/josc.6.3.301
Cohn, N. (2013). Visual Narrative Structure. Cognitive Science, 37(3), 413–452. https://doi.org/10.1111/cogs.12016
Cohn, N. (2016). From Visual Narrative Grammar to Filmic Narrative Grammar The Narrative Structure of Static and Moving Images. Film Text Analysis: New Perspectives on the Analysis of Filmic Meaning, 94–117. https://doi.org/10.4324/9781315692746
Creswell, J. W., & Creswell, D. J. (2018). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (5th ed.). SAGE Publications, Inc.
Cutting, J. E. (2016). Narrative Theory and The Dynamics of Popular Movies. Psychonomic Bulletin and Review, 23(6), 1713–1743. https://doi.org/10.3758/s13423-016-1051-4
Field, S. (2013). The Foundations of Screenwriting. ???????, 84, 487–492. http://ir.obihiro.ac.jp/dspace/handle/10322/3933
Ghazali, M. N. B. M., & Ghani, D. A. (2019). The Important of Great Storytelling in Malaysia Animation Industries. International Journal of Innovative Technology and Exploring Engineering, 8(11 Special issue 2), 230–235.
https://doi.org/10.35940/ijitee.K1035.09811S219
Hellerman, J. (2020). What is the Save the Cat Beat Sheet and Why is it Popular? No Film School. https://nofilmschool.com/save-the-cat-beat-sheet
Huang, J., & Grizzard, M. (2022). Beyond Content: Exploring the Effects of Narrative Structure on Entertainment Experience. Journal of Media Psychology: Theories, Methods, and Applications. Advance online publication. https://doi.org/10.1027/1864-1105/a000331
Huntley, C. (2007). How and Why Dramatica is Different from Six Other Story Paradigms. Dramatica. Theory. Write Borthers, Inc. http://dramatica.com/articles/how-and-why-dramatica-is-different-from-six-other-story-paradigms
Kim, N. W., Bach, B., Im, H., Schriber, S., Gross, M., & Pfister, H. (2018). Visualizing Nonlinear Narratives with Story Curves. IEEE Transactions on Visualization and Computer Graphics, 24(1), 595–604. https://doi.org/10.1109/TVCG.2017.2744118
Kim, S. K., & Kim, S. K. (2016). Survey on The Narrative Structure of The Interactive Storytelling Authoring System. International Journal of Applied Engineering Research, 11(18), 9236–9239.
Loughrey, A. (2020). Michael Hauge –. Anita Loughrey Blog. https://anitaloughrey.blog/tag/michael-hauge/
Miller, E. (2011). Theories of Story and Storytelling. January, 1–7.
Milles, C. (2012). Using the Blake Snyder Beat Sheet in the Classroom. Save the Cat!®. https://savethecat.com/success-stories/using-the-blake-snyder-beat-sheet-in-the-classroom
Rafik, M. R. S., Alimom, N., & Firdaus, N. (2020). Cultural imperialism in Malaysian Animation. International Journal of Social Science Research, 2(1), 76–89. http://myjms.moe.gov.my/index.php/ijssr/article/view/8740
Mou, T. (2015). Creative Story Design Method in Animation Production Pipeline. January 2015, 124–131.
Mou, T., Jeng, T., & Chen, C. (2013). From Storyboard to Story?: Animation Content Development. Educational Research and Reviews.
https://doi.org/10.5897/ERR2013.1484
Shah, M. R., Eshaq, M. A. R., & Perumal, V. (2022). Investigating Storytelling Differences Between Western and Eastern Computer Animation. Proceedings of the 2nd International Conference on Creative Multimedia 2022 (ICCM 2022), 2, 124–133. https://doi.org/10.2991/978-2-494069-57-2
Shah, M. R. Rafi, A., & Perumal, V. (2021). A Conceptual Model of Malaysian Computer Animation Storytelling.pdf (pp. 10362–10371). NVEO - Natural Volatiles & Essential Oils. https://www.nveo.org/index.php/journal/article/view/2140
Phillips, M. A., & Huntley, C. (2001). Dramatica. c, 1993–2001.
Qiang, L., Bingjie, C., & Haibo, Z. (2017). Storytelling by The Storycake Visualization. Visual Computer, 33(10), 1241–1252. https://doi.org/10.1007/s00371-017-1409-2
Simmons, A. (2017). Giacchino as Storyteller: Structure and Thematic Distribution in Pixar’s Inside Out (. Music on Screen, July.
Tong, C., Roberts, R., Borgo, R., Walton, S., Laramee, R. S., Wegba, K., Lu, A., Wang, Y., Qu, H., Luo, Q., & Ma, X. (2018). Storytelling and Visualization: An Extended Survey. Information (Switzerland), 9(3), 1–42. https://doi.org/10.3390/info9030065
Vidakovic, L. (2021). Fragmented Narratives: Exploring Storytelling approaches for Animation in Spatial Context. International Journal of Film and Media Arts, 06(02), 7–27. https://revistas.ulusofona.pt/index.php/ijfma/article/view/7648

In-Text Citation: (Shah et al., 2023)
To Cite this Article: Shah, M. R., Rafi, A., & Perumal, V. (2023). Post-Aristotelian Story Paradigm and its Influence on Malaysian Computer-Animated Television Series. International Journal of Academic Research in Business and Social Sciences, 13(1), 1237 – 1249.