Journal Screenshot

International Journal of Academic Research in Business and Social Sciences

Open Access Journal

ISSN: 2222-6990

Mengkuang and Pandan Plaiting: The Implicit Meaning Behind The Inspired Motifs

Noor Hafiza Ismail, Hamdzun Haron Haron, Narimah Abd. Mutalib

http://dx.doi.org/10.6007/IJARBSS/v13-i9/17894

Open access

Plaiting is one of the art and crafts that are unique that use mengkuang and pandan plaiting. This plaiting is used in our daily life as a place to sit and for home decorations. The researchers found that most plaiting have a variety of design on her surface that stand is made not only for daily life using only but have a meaning behind the design. The problem of this research found that plaiting decorated with fauna, flora, geometric, abstract and cosmos motifs. The question is why the plaiting is favored to be the frosting on the design of mat plaiting? To answer this question, qualitative methods are used to obtain accurate and complete field of research. The results of the research found that motifs were inspired by the environment of the matters. It consists of different types of motifs that have an implicit meaning. Each of these types of motifs describes the life of the people at that time that can serve as a reminder and a guidance. In this research, hopefully can give knowledge and exposure on the uniqueness of the mat's plaiting motifs to future generations.

Ahmad, S., & Zakaria, S. (1992). Kraftangan di Malaysia. Kuala Lumpur: Must Sdn Bhd.
Ariff, M. M. (2010). Mengangkasa Warisan Seni Kraf Negara. Bernama.
DeWalt, K., & DeWalt, B. (1992). Participant observation:a guide for fieldworkers. United Kingdom: Rowman & Littlefield Publishers, Inc,
Eman. (2008). Siri Warisan Seni Kraf: Annyaman. Kuala Lumpur Cipta Publishing
Garha, O. (2014). Berbagai Motif Anyaman. Bandung: Penerbit Angkasa
Haron, H. (2013), Akal Rekaan Pandai Seni Warisan Melayu, Bangi: Institut Alam dan Tamadun Melayu (ATMA), Universiti Kebangsaan Malaysia.
Haron, H., & Mutalib, N. A. (2013) Technology and production process of Malay traditional heritage pottery in Malaysia. Jurnal Teknologi (Sciences and Engineering). 64:1, 81-88.
Hussin, H. (2006). Motif Alam dalam Batik dan Songkek Melayu. Kuala Lumpur: Dewan Bahasa & Pustaka.
Ibrahim, I. (2007). Warisan Motif & Corak Etnik Sabah: Universiti Malaysia Sabah.
Lauer, D. A. (2001). Design Basic: Eight Edition: Rinehart and Winston Inc. The Dryden Press Sounders College Publishing.
Ludin, M. M., & Noor, A. S. M. (1995). Aspek-aspek Kesenian Islam. Percetakan Dewan Bahasa dan Pustaka.
Malek, M. R., & Ayob. Y. (1995). Kraftangan dan senibina tradisional. Petaling Jaya: Penerbit Prisma.
Matanggui, J. H. (2007). Morfologi bentuk, makna dan fungsi, Jakarta: Terbitan Grasido.
Miller, D. C., & Salkind, N. J. (1991). Handbook of research design and social measurement. California: Sage Publications, Inc.
Nasir, A. H. (1986). Ukiran Kayu Melayu Tradisi. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Ocvirk, O., Stinson, R., Wigg, P., Bone, R., Cayton, D., (2009). Art Fundamentals Theory & Practice: eleventh Edition, Published by Mc Graw Hill.
Panel Penulis PCT (2007), Seni Anyaman: Siri Seni Kraftangan Malaysia. Selangor: PCT Sdn. Bhd.



In-Text Citation: (Ismail et al., 2023)
To Cite this Article: Ismail, N. H., Haron, H., & Mutalib, N. A. (2023). Mengkuang and Pandan Plaiting: The Implicit Meaning Behind The Inspired Motifs. International Journal of Academic Research in Business and Social Sciences, 13(9), 1011–1023.