ISSN: 2226-6348
Open access
The performance of Bach's Cello Suite No. 2, BWV 1008, on the double bass presents unique bowing challenges, primarily stemming from its origin as a cello composition that has been transposed for the double bass. This study delves into the intricacies of bowing techniques required for this transcription, aiming to address these challenges and enhance the understanding of historical performance practices. This research comprises two primary objectives. Firstly, it seeks to identify and analyse the bowing technical challenges inherent in performing Bach's Cello Suite No. 2 on the double bass transcription. Secondly, it aims to develop effective bowing techniques tailored to this particular transcription, enabling double bassists to navigate and interpret the suite with proficiency and artistry. This study employs an artistic research approach, combining practical performance exploration with analytical investigation. It involves in-depth examination of historical performance practices, critical analysis of the transcription's challenges, and the development of innovative bowing techniques suited to the double bass. The study's outcomes encompass both textual and non-textual documentation. The textual documentation includes detailed analyses of the bowing challenges and the development of performance strategies. Non-textual documentation encompasses audio and video recordings of the performed transcription, demonstrating the practical application of the developed bowing techniques. This research significantly enriches the scholarly discourse surrounding Baroque music, historically informed performance practices, and the intricacies of double bass technique. By addressing the unique challenges posed by Bach's Cello Suite No. 2 transcription, this study offers valuable insights for double bassists, educators, and researchers. It contributes to a deeper understanding of the relationship between bowing techniques and the performance of Baroque music on the double bass, furthering the appreciation of this captivating musical genre.
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APPENDIX B : YOUTUBE LINKS TO VIDEO RECORDINGS
APPENDIX B1 : Legato Bow Strokes of Bach Cello Suite No 2 opening phrase
https://www.youtube.com/watch?v=cM-CNbg0a8g
APPENDIX B2 : Dynamic Range
https://www.youtube.com/watch?v=bP68W1X5g2I
APPENDIX B3 : Double Stop Technique
https://www.youtube.com/watch?v=k7iZcViicEA
APPENDIX B4 : Bariolage Effect
https://www.youtube.com/watch?v=W3sesifPjIk
APPENDIX B5 : Staccato Technique
https://www.youtube.com/watch?v=K1rL0gD2p0E
APPENDIX B6 : Cresecendo – Decrescendo Expression
https://www.youtube.com/watch?v=5vJb4xYLyCM
APPENDIX B7 : Bow placement for arpeggios execution
https://www.youtube.com/watch?v=SN496UWmX68
(Zaini et al., 2023)
Zaini, W. M. B. M., Rizal, H., Djahwasi, & Nasrifan, M. N. bin. (2023). An Investigation into the Bowing Techniques in Performing Bach Cello Suite NO.2 for Double Bass. International Journal of Academic Research in Progressive Education and Development, 12(3), 1926-1942.
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