ISSN: 2226-6348
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This study employs the theoretical framework of embodied cognitive linguistics to examine the seasonal reference points in four Chinese modern classical local novels: Lu Xun's Hometown, Shen Congwen's Border Town, Zhao Shuli's The Marriage of Xiao’Er Hei, and Jian Xian'ai's Water Burial. The research explores the embodied cognitive functions and cultural significance of seasonal reference points in literary narratives. Findings reveal that spring, summer, autumn, and winter, as key seasonal reference points, function not only as temporal markers but also as carriers of embodied cognition and cultural connotations. Seasonal reference points transcend natural temporal frameworks to serve as tools for embodied cognitive construction, integrating nature with culture and individuals with collectives. By activating embodied cognitive schemas and incorporating the authors' personalized cultural experiences, these reference points deepen narrative logic and emotional expression. This study highlights the multifaceted role of seasonal reference points in literary language, narrative strategies, and cultural critique, offering a novel perspective and theoretical approach to Chinese modern classical local novels.
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