ISSN: 2222-6990
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Digital art exhibitions connect artistic, curatorial, technical and operational work, but published accounts vary in how they attribute decisions and responsibilities. This scoping review maps these working relationships and examines their reporting across production, organising and conservation. The review was informed by Joanna Briggs Institute guidance and the PRISMA-ScR reporting framework. Scopus and Web of Science were searched for English-language journal articles, conference papers and book chapters published from 1 January 2016 to 25 September 2026. Twenty-four reports were included and charted for professional functions, interdependencies, interfaces and decision rights. Reports frequently described role combination and brokering roles, while expertise, funding and venues were linked to working arrangements. Among 108 realised or ongoing decision episodes, a chooser was identified in 71 and a subsequent responsibility holder in eight. Reported subsequent responsibilities included exhibition close-out, continuing care, archival custody, administration and finance, and commercial duties. These findings describe reporting patterns rather than the prevalence of practices or the formal authority of participants. The review provides a framework for distinguishing collaborative contributions from decision rights and subsequent responsibility, identifying documentation priorities for curatorial practice and future research.
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