ISSN: 2226-6348
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This article presents a comparative study of the film industries in China and Malaysia, examining their historical development, socio-cultural impacts, and political influences through the lens of cultural studies theory. It traces the origins and key milestones of cinema in both countries, highlighting the distinct historical trajectories shaped by their unique contexts. This article explores how films have been used as tools for political propaganda and cultural expression, analyzing the role of government control and censorship in shaping cinematic content. In the context of globalization, the paper discusses the challenges and opportunities faced by both industries, focusing on digitization and global cultural exchanges. By applying cultural studies theory, this research provides insights into the role of film as a cultural and political force and suggests future directions for the development of Chinese and Malaysian cinema in the global market.
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